Introduction
The Panasonic ES15, like it’s sibling the ES10 and other Panasonic DVD recorders such as the PAL EH-57, EX-77,
can be used as a “poor man’s” substitute or replacement for a VCR’s line timebase corrector. It has excellent de-
flagging (removing wavy vertical lines, including the edges of the picture) and stabilisation. I have posted examples of
it’s stabilising capabilities here.
These instructions are for a PAL ES15. I believe the NTSC model has a slightly different setup menu. There is a
lengthy topic on VideoHelp regarding setup of the Panasonics here.
Remote
Most of the Panasonic DVD recorder remotes will work with the ES15, even quite late-model remotes. It must have a
“Display” button. All of these work with my ES15 (original on the left):
Connections
General
For the video signal, it is preferable to use S-video cabling in and out.
For audio, route the cabling through the ES15 to minimise audio desync.
Input
I use S-Video In (and audio) to the AV4 port.
For Composite In, the AV4 port doesn’t work for me so if I am inputting Composite video, I use the front AV3 ports for
video and audio.
Output
For S-Video Out, the AV 4 Out port generates a very slight brightness pump for a few frames at harsh scene changes.
Even though this is not noticeable in normal video, it is worth keeping in mind. S-Video Out from AV1 via a SCART
plug does not exhibit this pump.
For output, I use a SCART plug on AV1 for S-Video and audio Out. Alternatively, if the brightness pumping isn’t an
issue for you or you don’t have a SCART plug, AV4 Out is suitable.
Note: the DV IN connection (front panel) will not be passed through. It’s only for recording on the internal DVD
recorder.
Menus
A typical set up is as follows:
Functions button>To Others>Setup
Picture: set Comb Filter to On
Display:
•
On-Screen Messages: as necessary; I use Automatic and have had no issues with the OSD getting in the way.
•
Grey Background: On
Connection:
•
TV Aspect 4:3
•
Progressive: Off
•
TV System to match your video format
•
AV1 Output: I have S-Video so I can output S-Video via the SCART plug
Others:
•
Power Save: It is best to completely depower the unit when not in use to reduce wear on the power supply
capacitors. I therefore suggest that you set the Power Save to OFF to provide you with a prompt, via the clock
display, that you have left the unit powered by the mains after you have switched it off via the power button. With
Power Save ON, the display goes blank when the unit is switched off at the power button.
•
Quick Start: as required; check manual for exact operation of this function.
Display Button
Picture: AV-in NR: Off. It is considered better to do noise reduction during post-capture processing, however this
setting is personal preference.
Brightness Boosting
There are stories going around that the ES-15 boosts brightness. There are two parts to the story: 1/overall brightness
is boosted slightly and 2/there is an overboost on scene changes with large brightness changes.
To address point 1, while on a bad tape I’ve found there is a slight brightening (which can be corrected by slightly
lowering the capture contrast), on a good tape, the ES-15 remains true to the original. Here is an example:
Hi8 direct to GV-USB2 S-Video capture
Hi8 to ES-15 (AV4 In, AV1 SCART Out) to GV-USB2, all S-Video
Introduction
The Panasonic ES15, like it’s sibling the ES10 and
other Panasonic DVD recorders such as the PAL
EH-57, EX-77, can be used as a “poor man’s”
substitute or replacement for a VCR’s line timebase
corrector. It has excellent de-flagging (removing
wavy vertical lines, including the edges of the
picture) and stabilisation. I have posted examples
of it’s stabilising capabilities here.
These instructions are for a PAL ES15. I believe
the NTSC model has a slightly different setup
menu. There is a lengthy topic on VideoHelp
regarding setup of the Panasonics here.
Remote
Most of the Panasonic DVD recorder remotes will
work with the ES15, even quite late-model
remotes. It must have a “Display” button. All of
these work with my ES15 (original on the left):
Connections
General
For the video signal, it is preferable to use S-video
cabling in and out.
For audio, route the cabling through the ES15 to
minimise audio desync.
Input
I use S-Video In (and audio) to the AV4 port.
For Composite In, the AV4 port doesn’t work for me
so if I am inputting Composite video, I use the front
AV3 ports for video and audio.
Output
For S-Video Out, the AV 4 Out port generates a
very slight brightness pump for a few frames at
harsh scene changes. Even though this is not
noticeable in normal video, it is worth keeping in
mind. S-Video Out from AV1 via a SCART plug
does not exhibit this pump.
For output, I use a SCART plug on AV1 for S-Video
and audio Out. Alternatively, if the brightness
pumping isn’t an issue for you or you don’t have a
SCART plug, AV4 Out is suitable.
Note: the DV IN connection (front panel) will not be
passed through. It’s only for recording on the
internal DVD recorder.
Menus
A typical set up is as follows:
Functions button>To Others>Setup
Picture: set Comb Filter to On
Display:
•
On-Screen Messages: as necessary; I use
Automatic and have had no issues with the OSD
getting in the way.
•
Grey Background: On
Connection:
•
TV Aspect 4:3
•
Progressive: Off
•
TV System to match your video format
•
AV1 Output: I have S-Video so I can output S-
Video via the SCART plug
Others:
•
Power Save: It is best to completely depower
the unit when not in use to reduce wear on the
power supply capacitors. I therefore suggest
that you set the Power Save to OFF to provide
you with a prompt, via the clock display, that you
have left the unit powered by the mains after
you have switched it off via the power button.
With Power Save ON, the display goes blank
when the unit is switched off at the power
button.
•
Quick Start: as required; check manual for exact
operation of this function.
Display Button
Picture: AV-in NR: Off. It is considered better to do
noise reduction during post-capture processing,
however this setting is personal preference.
Brightness Boosting
There are stories going around that the ES-15
boosts brightness. There are two parts to the story:
1/overall brightness is boosted slightly and 2/there
is an overboost on scene changes with large
brightness changes.
To address point 1, while on a bad tape I’ve found
there is a slight brightening (which can be
corrected by slightly lowering the capture contrast),
on a good tape, the ES-15 remains true to the
original. Here is an example:
Hi8 direct to GV-USB2 S-Video capture
Hi8 to ES-15 (AV4 In, AV1 SCART Out) to GV-
USB2, all S-Video